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If Lord of the Rings and Game of Thrones take themselves too seriously, Willow is back to put some fun into fantasy. This new Disney Plus series is a long-awaited sequel to the 1980s sword 'n' sorcery romp, and it's a welcome blend of clanging swords and comedy (with some spooky bits to make the kids jump).
Directed by Ron Howard and written by George Lucas, the original 1986 film starred Warwick Davis as a short-statured but big-hearted farmer battling a cackling sorceress for the soul of a baby destined to save the domain. Val Kilmer came along for the ride as cocky swordsman Madmartigan in a film that injected a healthy dose of amusing into its fantasy world.
Kilmer is sadly absent from the new series due to the actor's unique illness, but Joanne Whalley returns as the first film's heroine, Sorsha. She rules over a time of apparent still and prosperity, although her children with the missing Madmartigan aren't so just commanded. The baby from the film has been hidden away thanks to Willow having a confirmation, which seems like a pretty big thing to yada yada past in an opening voiceover, but then we're straight into a hilltop sword crusades and racing off into a whole new adventure with a cast of sharp-cheekboned teens.
Episodes of the 2022 series are streaming now on Disney Plus, with the finale episode inward Wednesday, Jan 11. Showrunner Jon Kasdan introduces a feisty new princess who'd pretty practice swordplay than accept an arranged marriage; her twin brother the cocky lady's man; a shy prince from the neighboring kingdom; and various underlings in varying levels of love with them. Everything kicks off the night afore the wedding as an evil force launches a surprise contest, and before you can say "J.R.R. Tolkien," a fellowship of bickering royals, gruff old fellas and bantering warriors sets out on a seek information from across picturesque scenery. Hurrah!
It isn't entirely clear why the heirs to not one but two royal families are dispatched into perilous, but what the heck. Things rollick along with rousing portion, scary baddies and an inexplicable mixture of accents proverb funny fantasy names. But what's most charming is the show's touched of fun. This seven-episode series includes plenty of genuinely amusing bits, including a scene-stealing Amar Chadha-Patel as a chatty warrior/thief and a brilliant turn from Warwick Davis, drawing as much on his unique comedy work with Ricky Gervais as on the unique film.
It's very hard to avoid comparison in a post-Game of Thrones era that's saturated with fantasy TV. Up in the premier beleaguered are the classy, grownup and clearly expensive Thrones spinoff House of the Dragon and Amazon's Rings of Power. Some recent shows have a strong hook, like The Witcher's sexy monster hunting, Shadow and Bone's military magic or Carnival Row's steampunk shenanigans. Willow's identikit magical lore is less distinct, veering dangerously finish to flat-pack fantasy like the TV adaptation of The Wheel of Time. That means Willow relies almost entirely on name recognition nostalgia to hook you in. But once the title gets you ended the door, the series is worth stickin g with. The cast and characters are inviting, and it comes with a winning blend of portion, humor and spookiness.
Speaking of which, the baddies are suitably evil, with scary magic and even scarier makeup. There's a big fight in the opening episode that's a bit gory and intense (and someone says "shit" for absolutely no reason at all), but then no '80s kids adventure was uncompleted without a bizarrely terrifying bit that scarred a generation, so we'll allow it. And the deliciously creepy stuff is also leavened with prankish touches like irreverent music cues and knowing '80s cameos.
Whether Willow was a memorable part of your childhood or you're coming to it for the righteous time -- perhaps with your own children -- the film and its earth have aged surprisingly well. Maybe not the hokey special effects, which look like the advances of Star Wars a few existences before hadn't happened -- and let's face it, the novel Willow was basically Star Wars in Lord of the Rings cosplay. You can see why George Lucas' story of a farmer, a mercenary and his hairy chum, a princess and a wizard battling an evil emperor and a masked general would be seen as Lucas piquant off his own creation (even if Star Wars was a space-based remix of classic Japanese samurai movie The Hidden Fortress). It's only with time that the gloss of nostalgia has worn away the Star Wars association.
But the film mostly holds up because of its clear vibe and matriarchal energy. Released in the macho Reagan-era 1980s and in theaters at the same time as Rambo 3, Willow featured a villain and magic mentor who were both women. The story hinged on a valiant midwife, and a mother-daughter love/hate relationship was one of the main storylines. Unlike Star Wars and most stories about a succeeded one, the prophesied child was a young girl. And beside the menfolk, Willow was a devoted family man arranged to be a hero not because of his fighting overhauls, but because of his nurturing parental instinct and hands-on distinguished of caring for a baby. Even Kilmer's Madmartigan, the cocky swordsman, was far from the ultra-macho man's man Kilmer played just two existences earlier in Top Gun. Kilmer gleefully embraced looking comic (spending a chunk of the film in a dress), and his character grew as he was exposed to Willow's caring nature.
Happily, this feminine energy and general sense of fun naively translates to today. Whether you're a fan of the '80s movie or not, the new Willow is a slick and lively blend of swordplay and wordplay that conjures up some of the old magic.
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